A group of dangerous terrorists succeeds to get hold of a tank of the army and all its crew.
Elmer, a sensitive duckling whose schoolmates tease him. However, after his unusual talents help him save a life, the other members of the flock learn to respect him as he is.
The evil Black Ninja Clan tries to steal the Golden Ninja statue from Ninja Master Gordon. A Hong Kong cut and paste edit of the 1986 Taiwanese Film "???????" (Ghost Rapist/Demons Apartment) with new ninja scenes.
Young Alice returns to Wonderland and is on her way to be crowned Queen, but she must dare to cross Chessland first. On her exciting journey, she encounters a magical jester, the feared Jabberwocky, Humpty Dumpty, Tiger Lily, and Tweedledum and Tweedledee.
Peter, a frustrated suburban teenager, prefers to hang out by the railroad tracks with his friends and get rid of boredom. When the young men throw the switch one day just for fun, a catastrophe of unimaginable proportions occurs. A train derails and Peter is found guilty of murder. In a maximum security prison, the teenager meets brutal felons who make his life hell through threats and physical violence ...
Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.
Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
A family man must make an adjustment after his wife of fifteen years one day blurts out that she wants a divorce and leaves him to construct a new life.
The hunter becomes the prey as a Vietnam veteran (Perry King) tries to ferret out the real culprit after being tagged as the prime suspect in the murders of his former Army pals.
